GOING TAPE-LESS... Post Production
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by Ned Cordery |
In the previous part we looked at the set up for the Panasonic SD HDC100,
its handling and controls. The camera records AVCHD (Advanced Video Codec
High Definition) to SDHC cards (Secure Digital High Capacity). These cards
are readily available from both electronic stores and by mail order. The
cards must be fast enough to record the data and class 4 or higher
are recommended. The price of cards has come down and 8 GB Class 4 cards
cost between $35 and $60 depending on make and supplier.
Above are two frames grabbed off the timeline converted to compressed .jpeg
files, they are NOT still photographs. The aspect ratio has not been modified.
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Whichever editing software is used the easiest way to get the clips into
the program is to use a simple card adaptor and plug into a USB port. |
Editors
HD Writer
| AVCHD is a highly compressed format and post production
presents a number of challenges. The camera comes with a software program;
HD Writer 2.6E for HDC. This is a Windows only program that offers
a number of options for post production. The program loaded easily into my
PC although in terms of performance it is barely adequate. I am using Windows
XP SP2; the software works with Windows 2000 and Vista as well. As usual
the instructions are a .pdf file. The start menu offers a selection of options.
Bottom is the Save as AVCHD window. This worked well, creating
a disc playable in a Blu Ray player with excellent quality.
The Easy Editing isnt. I struggled with this and found
it more complex than FCP! Perhaps I am the problem; but this is a clunky
and opaque piece of software. I moved on.
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Final Cut Express 4
My main editing software is Final Cut Studio with FCP 5 which does not handle
AVCHD and the upgrade to FCS2 costs $500; for $199 Final Cut Express 4 does
and offers many of the features of FCP.
With my SDHC adaptor and card plugged into a USB port of the Mac, open FCE,
open Log and transfer.Magic! All the clips appeared with a poster frame and
data; they can be previewed and even trimmed. Then drag to the transfer window
and they are transcoded to Apple Intermediate Codec (AIC) and automatically
loaded into the Browser.
Here there is a bit of a shock, the transcode increases the file size between
8 and 10 times! The 10 second clip that occupied about 17 Mb on the card
is now 140 MB on the hard drive. Fortunately I have 1.5 TBs of external storage
but this could be a problem if not anticipated.
From then on the editing process is completely normal, transitions, filters,
compositing all done in the normal way. I make DVDs using Toast, they can
be HD BluRay (AVCHD/H.264) compatible or SD.
Sony Vegas Studio Platinum 9
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Sony Vegas Studio Platinum 9 works with DV; HDV and AVCHD.
The simplest way to load AVCHD clips is from an SDHC card via a USB port
to the selected hard drive using the Panasonic HD Writer Copy to PC
utility and then import directly into the Vegas Media Bin. |
Cut to the Chase
Lets cut through all the technical stuff to what the creative movie
maker needs to know about recording to SDHC cards.
The shooting part is the same as with any camera. There is the advantage
that individual clips can be selected and reviewed very easily whilst on
location. Two 8GB or one 16GB card will meet a days shooting needs
for most people .
An Intel iMac with either Final Cut Express or iMovie 9 will edit your material
in such a way you will notice nothing unusual. FCP 6.01 & 7 can handle
AVCHD. Have plenty of hard drive space, preferably as external HDDs.
Create SD DVDs in iDVD or make Blu Ray playable DVDs using standard blank
DVD-Rs in Toast. A standard DVD will hold about 30 minutes of HD video and
sound, and thats enough for most of us.
If you are working with a PC you will need a fast dual core processor, at
least 1 GB of RAM, preferably 3 GB and a good graphics card. Check the edit
software instructions for the hardware required to handle AVCHD. A brief
test with Vegas Studio Platinum 9 (on special offer at $65) shows that it
handles AVCHD with ease and can create BluRay compatible DVDs.
Who would have imagined that a combination of a $550 camera with $65 software
in a regular PC would edit and deliver full HD video with 5.1 Surround sound?
There is, of course, no substitute for creativity but with tools like these
in the right hands superb results can be delivered.
Click here for more on Going Tapeless...
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A New Breed of Camera
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No Moving Parts
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A Practical Trial
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Post Production
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Reviews & Questions
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