My stepson,
Barry had a green screen studio and we arranged for 10 women players and
one man ( an early supporter of a woman's basketball league ) to come to
the studio for the interview session.
I was elated thinking about the possibilities of chroma keying backgrounds.
In reality, the whole experiment was months of frustration. To use Barry's
footage in my Apple editing programs I had to purchase a software CODEC
application.
iMovie did not handle green screen well; especially if I wanted to
place cut-a-ways into the scenes. So, I spent several months trying to learn
the professional editing program , FinalCutPro ( internet on-line
training, community college course, private tutor )
By the end of 5 months, I was not having fun, so I decided to take all the
interviews I had and edit a storyline without fancy chroma-keying. I did
a short trailer just in time to enter the NAMMA competition deadline, September
1, 2010.
The following month, I expanded my storyline with interviews and cut-a-ways.
The final documentary is now 16 minutes.
[See the 16 minute version in the
AMPS Cinema.]
I have since decided to return to editing on my Macrosystem and recently
purchased a new Bogart. Opening up the Macro-system editing system
for the first time in months was like meeting an old, dear friend.
[The pictures here show a speaker against the green screen, an empty
basketball court and then the two blended together.] |